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Students and teachers from 30 remote schools in Kenya got a powerful little piece of hardware.
Starlink.
A satellite dish on a school roof sounds simple.
Until it becomes the thing standing between a rural classroom and the entire internet.
The classroom didnβt move.
The world just got a lot closer.
Starlink / Writer: Annette, Designer: JannΓ©
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Starlink.
A satellite dish on a school roof sounds simple.
Until it becomes the thing standing between a rural classroom and the entire internet.
The classroom didnβt move.
The world just got a lot closer.
Starlink / Writer: Annette, Designer: JannΓ©
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Forwarded from DoomPosting
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A ginger cat crashed a "Romeo and Juliet" production in Russia and decided the dead Romeo needed a grooming session
Writer: Julie
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Writer: Julie
π³πΎπΎπΌπΏπ€π π πΈπ½πΆ
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Forwarded from DoomPosting
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"You've kidnapped my father, b&tch!" β boy started beating several military recruiters in Mykolaiv, knocking one of them down
Not sure if he reached the goal ... but definitely got support from people on the streets
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Not sure if he reached the goal ... but definitely got support from people on the streets
π³πΎπΎπΌπΏπ€π π πΈπ½πΆ
π₯10β€2π2
Forwarded from Fireworks Daily Team 2.0 (Mezlim)
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Dance has always been the most human thing β older than language, older than belief, woven into every culture that ever gathered around a fire.
In the Shaivite tradition, reality is not a static structure β it is a rhythm. And Shiva, as Nataraja, is its source.
The image of Nataraja is precise in every detail. His upper right hand holds the damaru β the small drum whose beat marks the first sound of creation, the pulse from which all matter emerges. His upper left carries a flame β not destruction as punishment, but dissolution as necessity, the fire that clears the ground for what must come next. His lower right hand is raised in abhaya mudra, the gesture of protection and fearlessness. His lower left points downward toward his raised foot β the gesture of grace, of release, pointing to the one place where liberation is possible.
Beneath him, he stands on the dwarf Apasmara β the demon of ignorance, of unconscious existence, of the ego that mistakes itself for the whole. Shiva does not destroy him. He holds him underfoot, because ignorance cannot be eliminated β only transcended, again and again, through awareness.
And around all of it, the ring of fire. The cosmos in its entirety, burning at its edges, endlessly turning.
What the Nataraja encodes is not a story about a god who dances. It is a map of reality in motion β creation, sustenance, dissolution, concealment, and liberation happening not in sequence but simultaneously, always, in every moment. Shiva dances because the universe dances!
This is why the body moving in rhythm has always carried something sacred. It is not imitation of the divine. It is the embodiment of the divine π₯
In the Shaivite tradition, reality is not a static structure β it is a rhythm. And Shiva, as Nataraja, is its source.
The image of Nataraja is precise in every detail. His upper right hand holds the damaru β the small drum whose beat marks the first sound of creation, the pulse from which all matter emerges. His upper left carries a flame β not destruction as punishment, but dissolution as necessity, the fire that clears the ground for what must come next. His lower right hand is raised in abhaya mudra, the gesture of protection and fearlessness. His lower left points downward toward his raised foot β the gesture of grace, of release, pointing to the one place where liberation is possible.
Beneath him, he stands on the dwarf Apasmara β the demon of ignorance, of unconscious existence, of the ego that mistakes itself for the whole. Shiva does not destroy him. He holds him underfoot, because ignorance cannot be eliminated β only transcended, again and again, through awareness.
And around all of it, the ring of fire. The cosmos in its entirety, burning at its edges, endlessly turning.
What the Nataraja encodes is not a story about a god who dances. It is a map of reality in motion β creation, sustenance, dissolution, concealment, and liberation happening not in sequence but simultaneously, always, in every moment. Shiva dances because the universe dances!
This is why the body moving in rhythm has always carried something sacred. It is not imitation of the divine. It is the embodiment of the divine π₯
β€7π2π₯°1
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