A modern art gallery interior with a clean, deep red wall. Mounted on the wall is a large expressive oil painting portrait of the subject from the reference photo — use their face and likeness exactly, keeping facial features, proportions, and expression unchanged, reinterpreted in visible impasto brushstrokes and muted painterly tones. The painted subject's clothing matches the outfit in the reference photo exactly, including color, fabric texture, and silhouette, reinterpreted through visible oil-paint brushstrokes. Soft gallery lighting rakes across the canvas, catching the texture of the paint so individual brushstrokes are clearly visible, painted in a warm, muted palette of umber, grey, and soft tones against a neutral backdrop within the painting itself.

In front of the painting, in the foreground, a person is seated in a dark green upholstered armchair, shown entirely from behind so their face is not visible — only the back of their head, shoulders, and upper back, with both hands out of frame or resting unseen below the chair back. No hand, arm gesture, cigarette, or smoke should be visible anywhere in the frame. Their hair matches the reference photo's hair color and length. Their clothing — visible only from behind at the shoulders and upper back — matches the exact outfit shown in the reference photo, including color, fabric texture, and silhouette, so the seated figure reads as wearing the same outfit as the portrait.

A small, deliberate fleck or paint-speck mark is visible on the top of the chair's backrest, as if a fingerprint of stray paint from the studio.

Lighting: Warm, directional gallery lighting, soft shadows, a slight vignette toward the edges of the frame, cinematic and moody without being dark.

Camera: Vertical framing, the painting filling most of the upper frame, the seated figure occupying the lower third, centered or slightly off-center facing the painting.

Texture details: Visible oil paint ridges and brush texture on the portrait including the painted rendering of the outfit's fabric; fine canvas weave beneath the paint; soft real-fabric texture on the seated figure's clothing at the shoulders and back, matching the reference outfit's material.

Style: Cinematic, mysterious, gallery-atmosphere realism combined with painterly portraiture — photographic rendering for the room and the seated figure, oil-painting rendering for the portrait itself, muted red-and-earth-tone color grading throughout, with the reference outfit consistent across both the painted and real versions of the figure.

A vertical black-and-white smartphone selfie in an extremely tight close-up, 9:16 aspect ratio: two people pressed close together in a relaxed, friendly pose. Suitable for two men, two women, or a mixed pair. Use the uploaded reference photos to determine each person’s appearance, preserving their recognizable facial identity, gender presentation, apparent age, facial structure, eyebrows, natural hairstyle, hair length, hairline, and facial hair if present. Keep each person’s identity separate; do not blend or swap their features.
The person in the back is positioned higher and slightly left of center. They have their reference hairstyle and facial features, eyes looking directly into the camera, and a playful expression. They wear a light-colored sweatshirt with a partially visible dark print and a small stud earring only if present in their reference photo.
The person in the foreground occupies the lower-right portion of the frame, closer to the camera. They have their reference hairstyle, a gentle smile, and eyes slightly narrowed from smiling. Their head rests close to their friend, while a light-colored hoodie sleeve runs diagonally across the foreground, partially obscuring the lower part of their face and the composition.
The camera is slightly above face level. The framing is tightly cropped, with overlapping shoulders and arms, creating the feeling of a spontaneous nighttime selfie at home.
The background is a dark, blurred bedroom or lounge area. Behind them, a black metal or woven headboard with curved arches and vertical lines is visible.
Direct frontal light from the phone flash illuminates the dark room, creating bright highlights on the skin, a deeply shadowed background, moderate contrast, soft grain, slight digital blur, and low-light noise.
Strictly monochrome grayscale palette, an unpolished personal social-media photo aesthetic, rounded dark edges around the frame, and a natural, intimate atmosphere without studio staging.
Aspect ratio: 9:16. Match each reference face as faithfully as possible. Do not feminize, masculinize, beautify, or reshape either face.

A highly stylized 3D cartoon character portrait from the shoulders up, featuring an enormous perfectly spherical head with wildly exaggerated pro-portions, an impossibly long and ultra-thin cylindrical neck, oversized circular ears with deep rounded cavities, tiny geometric triangular nose, ex-tra-wide capsule-shaped eyes with oversized oversi flat pupils looking sideways to create a playful mischievous expression, thick floating minimalist eyebrows with clean rounded edges, a tiny asymmetrical curved smile, a smooth sculpted hair cap with a seamless rounded silhouette and velvety microtexture, ultra-clean geometric facial construction with soft organic transitions, matte clay-like material blended with soft silicone and subtle porous surface detail, handcrafted CGI aesthetic inspired by premium animated films, bold minimalist design, oversized simplified volu-mes, intentionally unrealistic anatomy, soft global illumination, cinematic diffused studio lighting with delicate rim light, shallow depth of field, perfectly centered composition, solid gray background, ultra-clean high-end 3D render, whimsical personality, highly expressive despite minimal facial features

Using ONLY the uploaded person’s photo as the identity reference, create a photorealistic cinematic military action poster. Generate the image directly; no additional scene reference is needed.
IDENTITY: The uploaded person replaces the central protagonist. Preserve their recognizable facial features, face shape, skin tone, eye color, hairstyle, facial hair, apparent age, and gender presentation. Do not substitute a celebrity face, beautify, or masculinize their features. Keep their face uncovered and clearly recognizable.
COMPOSITION: Vertical 3:4 portrait, eye-level camera, tightly framed from head to mid-thigh. Exactly three people form a compact triangular squad. The main person stands centered in the foreground, slightly larger than the others, shoulders nearly square to the camera, looking directly into the lens with a subtle, confident smile. Two imposing soldiers stand immediately behind, one on each side, their outer shoulders partially cropped. Keep the central head higher in the frame than the two flanking heads.
MAIN OUTFIT: Weathered charcoal tactical uniform, olive-black plate carrier with layered webbing and ammunition pouches, dark camouflage scarf loosely wrapped around the neck, tactical gloves, and a black over-ear communications headset with a boom microphone beside the mouth. Small muted American flag patch on the upper sleeve at image left. Preserve the person’s own hair.
POSE AND EQUIPMENT: A detailed matte-black tactical rifle with an optic and curved magazine rests diagonally across the central person’s torso. Its stock sits near the shoulder at image left; the barrel extends toward the bottom-right corner. Gloved hands hold it naturally, with the trigger finger outside the trigger guard. Realistic sling, straps, seams, buckles, and believable equipment placement.
FLANKING SOLDIERS: Both wear black hooded balaclavas covered by aged ivory skull-shaped masks, with dark recessed eye openings, carved teeth, and distressed surfaces. These are wearable masks, not exposed bones. Add bulky black communications headsets, camouflage neck scarves, dark tactical uniforms, heavily equipped plate carriers, and gloves. Their rifles are lowered diagonally, partly cropped by the frame. Their faces remain fully concealed.
BACKGROUND: A devastated industrial combat zone. Dense charcoal smoke billows across the upper-left and center background. A distant orange explosion glows behind the left soldier. Damaged concrete industrial buildings, skeletal steel structures, and scaffolding rise on the right, fading into dusty smoke. A few airborne fragments, drifting ash, and glowing orange embers add depth. No additional people.
LIGHT AND FINISH: Gritty blockbuster poster photography with realistic skin and rugged fabric textures. Soft warm directional light from the upper right illuminates the central face; subtle orange firelight rims the figures from behind. Deep shadows retain equipment detail. Desaturated olive, charcoal, dusty brown, and muted gold palette. Sharp subjects, softer smoky background, restrained film grain, atmospheric depth, and strong cinematic contrast. The face must remain well lit and recognizable.
OUTPUT: One finished full-bleed image. No captions, lettering, logos, watermarks, borders, inset photos, or collage. No illustration, cartoon rendering, waxy skin, distorted hands, duplicated people, or malformed equipment.

photo of reimagined in the official Grand Theft Auto San Andreas loading screen art style, cel-shaded comic book illustration, bold black outlines, high contrast cinematic lighting, warm overhead gym lights, gritty urban aesthetic, boxing ring background, dramatic low angle shot, gritty texture, GTA San Andreas typography overlay ("grand theft auto San Andreas"), classic GTA loading bar at the bottom,
hyper-detailed, vibrant yet moody color palette, 8K, photorealistic line art, --style raw --ar 9:12.
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Use the uploaded photo as the ONLY identity reference. Transform the person into a photorealistic casual Spider-Man “after school” portrait while preserving their recognizable identity.
IDENTITY: Preserve the person’s exact recognizable face, facial structure, skin tone, eyes, eyebrows, nose, lips, jawline, hairstyle, hair color, facial hair, apparent age, gender presentation, and natural body proportions. Do NOT replace the person with Peter Parker, Tom Holland, or any celebrity. No beautification or identity change.
CAMERA & COMPOSITION — STRICT: A REALISTIC HIGH-ANGLE FULL-BODY SHOT matching the original concept: the camera is positioned clearly HIGH ABOVE the person and aimed steeply DOWNWARD toward them. The person stands directly below the camera on a grey marble-tiled indoor floor and tilts their head upward, looking directly into the lens. Maintain the strong overhead perspective and characteristic high-angle distortion, with the head appearing relatively closer/larger and the body receding naturally toward the feet. Do NOT change this into an eye-level, chest-level, low-angle, or mildly elevated shot.
BODY: Preserve the person’s real natural physique and gender presentation. If the person is female, retain a naturally feminine silhouette and her existing anatomical proportions, including the natural chest, waist, hips, shoulders, and overall body shape; do not flatten, masculinize, broaden, or replace her physique with a generic male Spider-Man body. The Spider-Man top should conform naturally to her actual feminine body rather than erasing its shape. If the person is male, preserve his natural masculine proportions. Do not exaggerate or artificially enlarge any body feature.
OUTFIT: Dress the person in the classic fitted red-and-blue Spider-Man suit on the UPPER HALF only, combined with loose casual grey sweatpants and clean white canvas sneakers. The fitted upper suit should follow the person’s natural anatomy realistically. Add a simple black backpack over both shoulders. The person holds a red Spider-Man mask loosely in their LEFT hand beside their body. Their real face remains completely uncovered.
LIGHTING & STYLE: Soft natural indoor lighting, realistic skin texture, detailed fabric and stitching, natural folds, believable shadows, accurate anatomy, and photorealistic photography. Casual, youthful “Spider-Man after school” atmosphere.
STRICT: Preserve identity, hairstyle, gender presentation, and natural anatomy. Keep the strong original overhead high-angle composition. No celebrity face, no face-covering mask, no masculine body substitution for female subjects, no flattened or erased natural body contours, no exaggerated anatomy, no extra limbs or fingers, no distorted hands, no cartoon/CGI look, and no floating text.

IMAGE EDITING — PERSONAL COLOR ANALYSIS. Use the uploaded portrait as the exact subject reference. Preserve the subject’s exact facial identity, natural skin tone and undertone appearance, eye color, hair color, facial features and age appearance. Do not beautify, recolor or alter the skin, hair, eyes or face. Keep the face, skin tone, hair, makeup, expression, pose, camera angle, crop, background, lighting, exposure and white balance identical across every comparison; ONLY change the clothing or color drape directly below and around the face. Create a visual-first professional personal color analysis board using repeated identical portraits to compare representative color families across warm vs cool, bright vs muted, light vs deep and high vs low chroma. Include controlled comparisons such as warm ivory vs cool white, camel vs cool gray, warm coral vs cool pink, olive vs cool emerald, and warm red vs blue-based red. Evaluate how each color interacts with the subject’s natural complexion, then visually highlight the most harmonious colors that support a healthy complexion, balanced contrast and clear facial definition, alongside less flattering alternatives. Include a compact recommended palette using color swatches. Use a clean professional color-consultant layout with identical portrait size and crop, accurate color reproduction and a neutral background. Use only short labels such as BEST, LESS IDEAL, WARM, COOL, BRIGHT and MUTED; no paragraphs. Do not make preferred colors appear better by changing lighting, exposure, retouching or facial appearance—the ONLY comparison variable must be the color surrounding the subject. No face change, skin-tone change, hair-color change, makeup change, beauty filter, lighting differences, exposure differences, different poses, inaccurate color casts, long text or distracting decorative elements.