ds economy, could not be bothered with attempting to control literature, so studies of folklore thrived. There were two primary trends of folklore study during the decade: the formalist and Finnish schools. Formalism focused on the artistic form of ancient byliny and faerie tales, specifically their use of distinctive structures and poetic devices.[24] The Finnish school was concerned with connections amongst related legends of various Eastern European regions. Finnish scholars collected comparable tales from multiple locales and analyzed their similarities and differences, hoping to trace these epic stories’ migration paths.[25] https://upload.wikimedia.org/wikipedia/commons/thumb/2/26/Emblem_of_the_Ministry_of_Culture_of_Russia.svg/220px-Emblem_of_the_Ministry_of_Culture_of_Russia.svg.png Emblem of the Ministry of Culture of Russia. The image of the crowned double eagle and the central crown which is connected with the other two crowns is often used as a pictorial example of Russias cultural nature. One crowned head looks to Europe and reflects the Western European element in Russian culture, the other looks to Asia and symbolizes the Asian Oriental element in Russia. Both are connected to a big third crown. Russian culture is connected with European and Asian cultures and was influenced by both.[26]
Once Joseph Stalin came to power and put his first five-year plan into motion in 1928, the Soviet government began to criticize and censor folklore studies. Stalin and the Soviet regime repressed folklore, believing that it supported the old tsarist system and a capitalist economy. They saw it as a reminder of the backward Russian society that the Bolsheviks were working to surpass.[27] To keep folklore studies in check and prevent "inappropriate" ideas from spreading amongst the masses, the government created the RAPP – the Russian Association of Proletarian Writers. The RAPP specifically focused on censoring fairy tales and children's literature, believing that fantasies and "bourgeois nonsense" harmed the development of upstanding Soviet citizens. Fairy tales were removed from bookshelves and children were encouraged to read books focusing on nature and science.[28] RAPP eventually increased its levels of censorship and became the Union of Soviet Writers in 1932.
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