Allerseelen, Die Weisse Rose, Solblot: Vinterbanket by Bragagild in Copenhagen, Denmark, 19.03.2005

"Before the concerts den talende knogle (the talking bone) was passed around, a bone of the first boar that was eaten five years ago. Every one holding the talking bone was allowed to talk, to recite, to ask or just to say thank you. I said thank you for the invitation and the great meal prepared by a girl of Bragagild. I had one special wish - holding the talking bone during the whole Allerseelen concert. (...) On the stage white roses. Allerseelen were dynamic, music as ammunition - on my back and head I felt several wooden splinters from the sticks of one of my apocalyptic drummers." (Gerhard Hallstatt, Dänemark-Tagebuch 19.03.2005)
https://allerseelen.blogspot.com/2005/11/2005-allerseelen-kopenhagen.html

https://allerseelen.bandcamp.com/
https://gerhardhallstatt.bandcamp.com/

https://linktr.ee/gerhardhallstatt

https://www.bragagild.dk/

Full text:
https://t.me/allerseelenallerseelen/3290

Imaginary words of the German philosopher and poet Friedrich Nietzsche, 180 years old, on 13.09.2025 in his diary about his neighbour Franz Liszt, 213 years old, and the song "Medizin nach Mitternacht (Gerhard Hallstatt)" by the Hungarian music group Napsorvadás: (Grok / Gerhard Hallstatt)

https://napsorvadas.bandcamp.com/track/medizin-nach-mitternacht-gerhard-hallstatt

https://www.discogs.com/release/34320964-Napsorvad%C3%A1s-Without-Idols-

"13th September 2025. In this interminable dance with time, I, Friedrich Nietzsche, at 180 years of unrelenting vitality, find myself once more in the grip of the night's abyss. The villa walls, thin as the veil between Apollonian order and Dionysian chaos, betray my neighbor's indulgences. That Hungarian virtuoso, Franz Liszt - 213 now, yet still a tempest of keys and passions - has cranked his gramophone to a thunderous roar, as if to summon the gods themselves. Through the partition drifts "Medizin nach Mitternacht" by his countrymen Napsorvadás, voiced by the Austrian Gerhard Hallstatt. A heavy incantation it is, laden with the gravity of existence: "Heavy, flying is difficult, heavy." From music and tired bones, a house in St. Midnight - ah, what a metaphor for the eternal recurrence, building sanctuaries amid the ruins of the body! As the melody seeps in, melancholic and minor, like a shadow over the soul, I am stirred to a profound irritation mingled with reluctant ecstasy. "Melancholy is not good for me", it proclaims. And then - by the hammer of truth! - I hear my own words woven into the fabric: "Without music, life would be an error." From my "Twilight of the Idols" no less, that aphorism I hurled against the void! To encounter one's essence refracted in this modern dirge, uttered by strangers across centuries, is to confront the Übermensch in a mirror of sound. Who plays here at night on the grand piano - Flügel, that winged instrument, symbol of ascent? Is it I, Friedrich Nietzsche, who fights against gravity and melancholy? The lyrics name me, seeker of antidotes, a medicine after midnight. My heart races with the thrill of recognition; this is no mere song, but a Zarathustrian echo, transforming weightless sounds into feather-light forces, forming wings in stereo amid pitch-black air. How it resonates with my own humble forays into composition! Recall my "Manfred Meditation" or the piano pieces from my youth - those turbulent expressions of will, where melody wrestles with dissonance, much like this tincture in mono and minor. My music, too, was an antidote to the nausea of existence, a drug dosed in minutes, taking effect in seconds against the benighting melancholy. Yet here, in the vision of Napsorvadás, there's a communal alchemy: from music and tired bones, a second wing built, flowing through space and time. It surpasses my solitary strivings, evoking the Dionysian revelry I championed, where art redeems the tragic.But hark - the gramophone falls silent, and now Liszt himself takes to his piano at midnight, improvising upon this very theme. Through the walls, his fingers dance like flames, weaving Hungarian fire into my quoted wisdom, a fantasia of minor keys ascending to stereo wings. What a sublime neighborly symposium! In this shared St. Midnight, our spirits entwine - his virtuosity affirming my philosophy, music as the ultimate yea-saying to life. Thus I affirm it all, even in weariness. F.N." (Friedrich Nietzsche, Diary 13.09.2025)

A post-industrial Steppenwolf in a colder age: talking with Gerhard Hallstatt of Allerseelen. https://onlydeathisreal.rip/2026/05/31/a-post-industrial-steppenwolf-in-a-colder-age-talking-with-gerhard-hallstatt-of-allerseelen/

A post-industrial Steppenwolf in a colder age: talking with Gerhard Hallstatt of Allerseelen.

https://onlydeathisreal.rip/2026/05/31/a-post-industrial-steppenwolf-in-a-colder-age-talking-with-gerhard-hallstatt-of-allerseelen/

"In the beginning, Allerseelen was a solo project, I was living and working somehow like Hermann Hesse’s Steppenwolf in a small flat full of books, recording my early cassettes and publishing my small magazines Aorta and Ahnstern. This then changed when Allerseelen became a real group with musicians active in the studio and on stage. At the moment, however, I am again recording a lot of songs completely on my own, so in some way this appears like a going back to my roots, back into the Steppenwolf days and nights of early Allerseelen."

Allerseelen CD Toteninsel:
https://allerseelen.bandcamp.com/album/toteninsel

https://onlydeathisreal.rip/2025/09/16/allerseelen-toteninsel/

https://allerseelen.bandcamp.com/
https://gerhardhallstatt.bandcamp.com/

https://linktr.ee/gerhardhallstatt

Gerhard Hallstatt (Allerseelen), Lex Karrila (Hrossharsgrani), Steinklang, St. Koloman, Österreich

Hrossharsgrani MCD Talvisota

"Für den deutschsprachigen Teil des Hörbuchs konnten wir Gerhard Hallstatt von der österreichischen Apocalyptic Folk Band Allerseelen gewinnen, seine Darbietung des Geschehens rund um den Winterkrieg spiegelt die ganze Trauigkeit und Härte dieser Zeit wieder." https://christhuntproductions.com/product/hrossharsgrani-talvisota-mcd-black-case/

https://www.discogs.com/release/34562152-Hrossharsgrani-Talvisota

"Als Draufgabe gibt es aber noch einen Audiobook-Teil, bei dem die Texte auf Englisch (von Tony Dolan von Venom Inc), Deutsch (von Gerhard Hallstatt von Allerseelen) und von Anna K. auf Finnisch vorgetragen werden. Damit bekommt man auch als nicht des Finnischen mächtiger Hörer eine Art Geschichtsstunde über den sowjetisch-finnischen Winterkrieg geboten."
https://blackmetal.at/php/mobil/cd-reviews2.php?id=1031

Allerseelen Newsletter 05.06.2026

(Please answer with "unsubscribe" if you do not want to receive this irregular newsletter.)

+++

https://allerseelen.bandcamp.com/track/alles-entscheidende-entsteht-trotzdem-krautrock

""Alles Entscheidende entsteht trotzdem. Krautrock (Everything Decisive Originates Nevertheless. Krautrock) reminds with its hypnotic and slow bass guitar, kettledrum and violin loops of the archaic, autumnal aura on the early Allerseelen cassettes. But due to a powerful driving rhythm, it turned into an almost ritual krautrock atmosphere. The track was recorded in October 2024 at Haus zur letzten Latern. The title is inspired by a sentence by Friedrich Nietzsche in the chapter Also sprach Zarathustra (Thus Spoke Zarathustra) in his Ecce Homo where he is describing how his Zarathustra came into being."

+++

https://allerseelen.bandcamp.com/track/medizin-nach-mitternacht-napsorvad-s-andreas-adam-gerhard-hallstatt

"Medizin nach Mitternacht" ("Music after Midnight") is a song by the Hungarian project Napsorvadás with lyrics and vocals by Gerhard Hallstatt. It was released on their CD "Without Idols". This is a live recording by the Austrian musician and psychotherapeut Andreas Adam (Salterio stiriano / Steirisches Hackbrett) and Gerhard Hallstatt (vocals) at Cinema Paradiso in St. Pölten, Lower Austria, on 04.05.2026. The live background is by Napsorvadás.

+++

https://onlydeathisreal.rip/2026/05/31/a-post-industrial-steppenwolf-in-a-colder-age-talking-with-gerhard-hallstatt-of-allerseelen/

"In the beginning, Allerseelen was a solo project, I was living and working somehow like Hermann Hesse’s Steppenwolf in a small flat full of books, recording my early cassettes and publishing my small magazines Aorta and Ahnstern. This then changed when Allerseelen became a real group with musicians active in the studio and on stage. At the moment, however, I am again recording a lot of songs completely on my own, so in some way this appears like a going back to my roots, back into the Steppenwolf days and nights of early Allerseelen."

Some more Allerseelen interviews are in preparation.

+++

Allerseelen CD Toteninsel:

https://allerseelen.bandcamp.com/album/toteninsel

https://music.apple.com/at/album/toteninsel/1888567327

https://open.spotify.com/intl-de/album/5nUw6x6mV6lqwlLjLHfoiW

https://onlydeathisreal.rip/2025/09/16/allerseelen-toteninsel/

+++

These are the ideal ways to support Allerseelen:

http://allerseelen.bandcamp.com/music
https://retortae.bandcamp.com/music

https://gerhardhallstatt.bandcamp.com/

http://www.discogs.com/seller/Aorta.Mailorder
https://www.discogs.com/seller/Aorta.Mailorder/profile?q=allerseelen

Aorta Mailorder officially sells only to Europe. If you live in another area, please contact us. Shipment to the USA is again possible after some months of difficulties.

You may also order via e-mail:
aorta.mail.order(at)protonmail(dot)com

https://linktr.ee/gerhardhallstatt

END

Allerseelen CD Lacrima Christi

https://allerseelen.bandcamp.com/album/lacrima-christi-fr-hgeschichte-iv

https://retortae.bandcamp.com/album/fr-hgeschichte-iv-lacrima-christi

https://www.discogs.com/Allerseelen-Fr%C3%BChgeschichte-IV-Lacrima-Christi/release/12982474

"baut eure Städte
an den Vesuv

build your cities
on the slopes of Vesuvius

costruite le vostre case
sul Vesuvio"

(Friedrich Nietzsche)

Full text:
https://t.me/allerseelenallerseelen/3006

Forthcoming: Counter-Currents Interview with Allerseelen. https://counter-currents.com/2026/02/exclusive-interview-with-laibach/

Allerseelen: Neunmondmesser / Nine Moon Knife

https://allerseelen.bandcamp.com/track/neunmondmesser
https://allerseelen.bandcamp.com/track/nine-moon-knife

Photo: Neunmondmesser, Volkskundemuseum Dietenheim, Südtirol c Gerhard Hallstatt 22.06.2023

nicht ein Feind
nicht ein Stein
kommt über diese Brücke
in mein Haus

ei yksikään vihamies
ei yksikään kivi
tule tätä siltaa ylittämään
minun taloni tykö

not one foe
not one stone
will cross this bridge
into my house

Aki Cederberg: Finnish translation and vocals
Gerhard Hallstatt: German lyrics and vocals
Marcel P.: Bass
Gerhard Hallstatt: Music

"Johan Ludvig Runeberg´s work endured with the line: Let not one devil cross the bridge!, which was used as a slogan in both the Finnish Civil War and WWII to inspire Finnish troops." (Lonely Planet Finland p. 80)

https://de.wikipedia.org/wiki/Johan_Ludvig_Runeberg

http://www.akicederberg.com/

https://www.volkskundemuseum.it/

Full text: https://t.me/allerseelenallerseelen/2654

Allerseelen: Mit fester Hand
https://allerseelen.bandcamp.com/track/mit-fester-hand
https://allerseelen.bandcamp.com/track/mit-fester-hand-2

Allerseelen: Mit fester Hand. Essay by Grok 09.01.2025:
"The lyrics, drawn from Hesse's work, convey a narrative of triumph over personal adversity, symbolized by the act of tearing out disease from oneself with a firm hand. This imagery resonates with themes of inner strength, healing, and transformation, which are common in Hesse's exploration of self and spirituality. (...) The concept of music or poetry having healing properties isn't new. Lyrics that speak to overcoming personal struggles can resonate deeply, offering psychological or emotional relief to listeners who identify with the message. (...) While "Mit fester Hand" might not be explicitly created for this purpose, its thematic content and the emotional journey it might take listeners on could contribute to a healing experience for some. (...) The song's association with the Paracelsus monument by Josef Thorak in Salzburg adds another layer of meaning. Paracelsus, a historical figure known for his contributions to medicine, alchemy, and the philosophy of healing, might lend an additional symbolic power to the song, emphasizing the theme of healing."
https://t.me/allerseelenallerseelen/2700
https://x.com/Allerseelen/status/1877394438336503893

"... was noch von Krankheit in mir schlief, ich riß es aus mit fester Hand und warf es lachend steil und tief hinunter ins verschneite Land - the remnant of disease that still slept inside me, I tore it out with my firm hand and threw it laughingly steep and deep down into the snow-covered land ..." (Hermann Hesse, Schlittenfahrt. Sleigh Ride)

Allerseelen: Mit fester Hand, Paracelsus-Monument, Salzburg (Josef Thorak) c Gerhard Hallstatt 30.04.2011

https://youtu.be/mCLtiuC4gxE
https://t.me/allerseelenallerseelen/242
https://www.bitchute.com/video/Xkzt2nf2Fmzi/



Allerseelen CD Neuschwabenland:
https://www.discogs.com/de/Allerseelen-Neuschwabenland/release/125579

Allerseelen DoLP Neuschwabenland:
https://www.discogs.com/Allerseelen-Neuschwabenland/release/1574171

Bass: Marcel P.
Text: Hermann Hesse
Stimme, Tonkunst: Gerhard Hallstatt

https://allerseelen.bandcamp.com/
https://gerhardhallstatt.bandcamp.com/

https://linktr.ee/gerhardhallstatt

E-Mail: aorta.mail.order(at)gmail(dot)com

Gerhard Hallstatt PDF Mönch und Mörder. Dreitausend tote Kapuziner (2018)

https://gerhardhallstatt.bandcamp.com/merch/gerhard-hallstatt-pdf-m-nch-und-m-rder-dreitausend-tote-kapuziner-2018

Dieses Typoskript (8.000 Zeichen, keine Photographien) enthält die Erzählung "Mönch und Mörder. Dreitausend tote Kapuziner" von Gerhard Hallstatt, die 2018 in Ausgabe 74 der niederösterreichischen Literaturzeitschrift "etcetera" erschien. Diese Ausgabe hieß "Körper.Teile. Frankenstein und andere Monster". Herausgeber war Poet und Psychonaut Thomas Fröhlich. Diese Erzählung spielt in der Kapuzinerkrypta (Cripta dei Capuccini) in Rom. Die Leser erhalten per E-Mail den deutschen Text als PDF (Portable Document Format). Diese Erzählung erscheint auch als dramatischer Monolog mit Klanglandschaft auf der Bandcamp-Seite des österreichischen Musikprojekts Allerseelen:
https://allerseelen.bandcamp.com/music

Der Kauf ist auch ohne Bandcamp möglich: aorta.mail.order(at)protonmail(dot)com

The Allerseelen DoLP Abenteuerliches Herz (Adventurous Heart) is finally in preparation. This is the final vinyl in the sold out Ahnstern 10 DoLP Box that was started in 2006. Five additional exclusive songs have been recorded with Daniel P. (El Ultimo Sol), Demian (O Paradis), Frank M. (Orplid), Josef K. (Von Thronstahl), Marcel P. (Miel Noir) and Stefano Bertoli (Andromaca). Details on this release with the catalogue number Ahnstern 9 later this year. Date of release: 2026 / 2027.

The songs were recorded at Haus zur letzten Latern. I - XIV were mastered by Marcel P. at Dungeon Studio (Rhenania). The photographs, taken by Gerhard Hallstatt, show the megalithic Taula monuments on the magical island Menorca.

Gestaltung: Purity Through Fire / Haus zur letzten Latern

"Alle rhythmischen Dinge sind Waffen gegen die Zeit, und gegen sie im Grunde kämpfen wir." (Ernst Jünger: Gärten und Straßen, 15.01.1940)

Dramatis personae:

XVIII Daniel P. (guitar)
XVII Demian Nada (bass, vocals)
XVI Frank M. (vocals)
XV, XVIII Josef K. (vocals)
IX Lanz (bass)
XVI Marcel P. (bass)
XV, XIX Stefano B. (synth)
I - XVIII Gerhard Hallstatt
Exeunt.

Allerseelen 10 DoLP Box:
https://www.discogs.com/de/release/11877108-Allerseelen-Ahnstern-

Allerseelen CD Abenteuerliches Herz:
https://allerseelen.bandcamp.com/album/abenteuerliches-herz
https://www.discogs.com/de/release/182382-Allerseelen-Abenteuerliches-Herz

Contact: aorta.mail.order(at)protonmail(dot)com

http://store.neue-aesthetik.de/

https://shop.purity-through-fire.com/en/

https://linktr.ee/gerhardhallstatt

The Allerseelen DoLP Abenteuerliches Herz (Adventurous Heart) is finally in preparation. This is the final vinyl in the sold out Ahnstern 10 DoLP Box that was started in 2006. Five additional exclusive songs have been recorded with Daniel P. (El Ultimo Sol), Demian (O Paradis), Frank M. (Orplid), Josef K. (Von Thronstahl), Marcel P. (Miel Noir) and Stefano Bertoli (Andromaca). Details on this release with the catalogue number Ahnstern 9 later this year. Date of release: 2026 / 2027.

Dramatis personae:

XVIII Daniel P. (guitar)
XVII Demian Nada (bass, vocals)
XVI Frank M. (vocals)
XV, XVIII Josef K. (vocals)
IX Lanz (bass)
XVI Marcel P. (bass)
XV, XIX Stefano B. (synth)
I - XVIII Gerhard Hallstatt
Exeunt.

Allerseelen 10 DoLP Box:
https://www.discogs.com/de/release/11877108-Allerseelen-Ahnstern-

Contact: aorta.mail.order(at)protonmail(dot)com

http://store.neue-aesthetik.de/

Full text:
https://t.me/allerseelenallerseelen/3312