Forwarded from The White Rose
Media is too big
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The real reason most people wear masks is because they're scared of not fitting in, not because they're scared of a virus, as demonstrated by this famous experiment.
Theresa May does a better job at leading the opposition than anybody in the Labour Party, Jeremy Corbyn included.
https://youtu.be/Q-0g1qM3sHU
https://youtu.be/Q-0g1qM3sHU
YouTube
Theresa May attacks Government's travel ban: 'global Britain shut for business'
Theresa May has attacked the Government's stance on travel, saying the UK is "falling behind the rest of Europe".
Subscribe to The Telegraph on YouTube ► https://bit.ly/3idrdLH
She added: "It needs to decide whether it wants an airline industry and aviation…
Subscribe to The Telegraph on YouTube ► https://bit.ly/3idrdLH
She added: "It needs to decide whether it wants an airline industry and aviation…
Forwarded from Нэбойша Радич
No one in parliament. Presumably on Zoom with camera and sound off... no debate, largely irrelevant institution.
POTEMKIN PARLIAMENT
In politics and economics, a Potemkin village is any construction (literal or figurative) whose sole purpose is to provide an external façade to a country which is faring poorly, making people believe that the country is faring better. The term comes from stories of a fake portable village built solely to impress Empress Catherine II by her former lover Grigory Potemkin, during her journey to Crimea in 1787. While modern historians agree that accounts of this portable village are exaggerated, the original story was that Potemkin erected phony portable settlements along the banks of the Dnieper River in order to impress the Russian Empress; the structures would be disassembled after she passed, and re-assembled farther along her route to be viewed again as if another example. The term is a translation of the Russian: потёмкинские деревни
In politics and economics, a Potemkin village is any construction (literal or figurative) whose sole purpose is to provide an external façade to a country which is faring poorly, making people believe that the country is faring better. The term comes from stories of a fake portable village built solely to impress Empress Catherine II by her former lover Grigory Potemkin, during her journey to Crimea in 1787. While modern historians agree that accounts of this portable village are exaggerated, the original story was that Potemkin erected phony portable settlements along the banks of the Dnieper River in order to impress the Russian Empress; the structures would be disassembled after she passed, and re-assembled farther along her route to be viewed again as if another example. The term is a translation of the Russian: потёмкинские деревни
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👇 IT'S FINALLY HERE! 🔥
"How to create your very own 'SCARIANT' - in 10 easy steps"
A T4Recovery guide to creating and maintaining fear with a never-ending stream of 'new variants.'
"How to create your very own 'SCARIANT' - in 10 easy steps"
A T4Recovery guide to creating and maintaining fear with a never-ending stream of 'new variants.'
Thread by @T4Recovery on Thread Reader App – Thread Reader App
https://threadreaderapp.com/thread/1403042440223862786.html
https://threadreaderapp.com/thread/1403042440223862786.html
Threadreaderapp
Thread by @T4Recovery on Thread Reader App
Thread by @T4Recovery: 👇 IT'S FINALLY HERE! 🔥 "How to create your very own 'SCARIANT' - in 10 easy steps" A @T4Recovery guide to creating and maintaining fear with a never-ending stream of 'new variants.' Watch the...…
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'SCARIANT' from MP Games!
Forwarded from Lawyers of Light
If you want to talk about your experiences with #midazolam use on your family members you can join the group below. We have changed the policy in so far as we will only share what you say anywhere else, if you give your permission.
https://t.me/WeNeedToTalkAboutMidazolam
https://t.me/WeNeedToTalkAboutMidazolam
ANYONE LISTENING TO THIS AND IT SOUNDS NORMAL HAS LOST THEIR MIND
https://www.bitchute.com/video/LU0z5J4FYMeB/
https://www.bitchute.com/video/LU0z5J4FYMeB/
BitChute
Anyone listening to this and it sounds normal has lost their mind
"They are in the school, they're there now. You have them in one place. They're a captive audience so to speak. You have a nurse in the school or you have a local govt that can send a vaccination team TO THE SCHOOL, we're closing vaccination sites, …
ARE GOVERNMENTS PREPARING & IMPLEMENTING AN AMBUSH ON OUR CHILDREN?
BRITISH MEDICAL JOURNAL
28 SEPTEMBER 2020
" In a BBC report last week which seemed so fanciful I was inclined to ignore it products were injudiciously codenamed by government agencies as “Triumph” and “Ambush” .
The report by Michele Paduano, however, is still there and states [2]:
“Mass vaccination sites and mobile facilities are being commissioned as part of as a "fairly massive exercise"...According to the document, the two vaccines are called Ambush and Triumph...Ambush needs to be stored at -70C (-94F) and kept in hospitals due to regulations set down by the Medicines Health Regulatory Authority.“
The “Triumph“ vaccine is believed to be the Oxford Astra Zeneca product which has to be administered twice within 28 days. The refrigeration requirements for the “Ambush” vaccine fit the the profile of both the Moderna and Pfizer products [3]. A similar but less detailed report has now appeared in the Sun newspaper [4].
All three vaccines have been criticised for their effectiveness by Peter Doshi and Eric Topol in the New York Times [5] and by William Haseltine in the Washington Post [6]. Both the Oxford and Moderna vaccines are known to have unpleasant side-effects [7]. The Oxford vaccine when I last heard was still under investigation by the FDA [8].
Against which background one can only echo once again the editor’s call a few weeks ago for “Less haste, more safety”.
https://www.bmj.com/content/370/bmj.m3757/rr-3
BRITISH MEDICAL JOURNAL
28 SEPTEMBER 2020
" In a BBC report last week which seemed so fanciful I was inclined to ignore it products were injudiciously codenamed by government agencies as “Triumph” and “Ambush” .
The report by Michele Paduano, however, is still there and states [2]:
“Mass vaccination sites and mobile facilities are being commissioned as part of as a "fairly massive exercise"...According to the document, the two vaccines are called Ambush and Triumph...Ambush needs to be stored at -70C (-94F) and kept in hospitals due to regulations set down by the Medicines Health Regulatory Authority.“
The “Triumph“ vaccine is believed to be the Oxford Astra Zeneca product which has to be administered twice within 28 days. The refrigeration requirements for the “Ambush” vaccine fit the the profile of both the Moderna and Pfizer products [3]. A similar but less detailed report has now appeared in the Sun newspaper [4].
All three vaccines have been criticised for their effectiveness by Peter Doshi and Eric Topol in the New York Times [5] and by William Haseltine in the Washington Post [6]. Both the Oxford and Moderna vaccines are known to have unpleasant side-effects [7]. The Oxford vaccine when I last heard was still under investigation by the FDA [8].
Against which background one can only echo once again the editor’s call a few weeks ago for “Less haste, more safety”.
https://www.bmj.com/content/370/bmj.m3757/rr-3
Forwarded from Andre
Sure. The vaccines didnt came because of the virus. The virus came to implement the vaccines
What is a rebel? A man who says no, but whose refusal does not imply a renunciation.
He is also a man who says yes, from the moment he makes his first gesture of rebellion.
A slave who has taken orders all his life suddenly decides that he cannot obey some new command. What does he mean by saying "no"?
He means, for example, that "this has been going on too long," "up to this point yes, beyond it no," "you are going too far," or, again, "there is a limit beyond which you shall not go." In other words, his no affirms the existence of a borderline. The same concept is to be found in the rebel's feeling that the other person "is exaggerating," that he is exerting his authority beyond a limit where he begins to infringe on the rights of others.
Thus the movement of rebellion is founded simultaneously on the categorical rejection of an intrusion that is considered intolerable and on the confused conviction of an absolute right which, in the rebel's mind, is more precisely the impression that he "has the right to . . ." Rebellion cannot exist without the feeling that, somewhere and somehow, one is right. It is in this way that the rebel slave says yes and no simultaneously. He affirms that there are limits and also that he suspects—and wishes to preserve—the existence of certain things on this side of the borderline. He demonstrates, with obstinacy, that there is something in him which "is worth while . . ."
and which must be taken into consideration. In a certain way, he confronts an order of things which oppresses him with the insistence on a kind of right not to be oppressed beyond the limit that he can tolerate.
In every act of rebellion, the rebel simultaneously experiences a feeling of revulsion at the infringement of his rights and a complete and spontaneous loyalty to certain aspects of himself. Thus he implicitly brings into play a standard of values so far from being gratuitous that he is prepared to support it no matter what the risks. Up to this point he has at least remained silent and has abandoned himself to the form of despair in which a condition is accepted even though it is considered unjust. To remain silent is to give the impression that one has no opinions, that one wants nothing, and in certain cases it really amounts to wanting nothing. Despair, like the absurd, has opinions and desires about everything in general and nothing in particular. Silence expresses this attitude very well. But from the moment that the rebel finds his voice—even though he says nothing but "no"—he begins to desire and to judge. The rebel, in the etymological sense, does a complete turnabout. He acted under the lash of his master's whip. Suddenly he turns and faces him. He opposes what is preferable to what is not. Not every value entails rebellion, but every act of rebellion tacitly invokes a value.
Albert Camus, The Rebel (1956)
He is also a man who says yes, from the moment he makes his first gesture of rebellion.
A slave who has taken orders all his life suddenly decides that he cannot obey some new command. What does he mean by saying "no"?
He means, for example, that "this has been going on too long," "up to this point yes, beyond it no," "you are going too far," or, again, "there is a limit beyond which you shall not go." In other words, his no affirms the existence of a borderline. The same concept is to be found in the rebel's feeling that the other person "is exaggerating," that he is exerting his authority beyond a limit where he begins to infringe on the rights of others.
Thus the movement of rebellion is founded simultaneously on the categorical rejection of an intrusion that is considered intolerable and on the confused conviction of an absolute right which, in the rebel's mind, is more precisely the impression that he "has the right to . . ." Rebellion cannot exist without the feeling that, somewhere and somehow, one is right. It is in this way that the rebel slave says yes and no simultaneously. He affirms that there are limits and also that he suspects—and wishes to preserve—the existence of certain things on this side of the borderline. He demonstrates, with obstinacy, that there is something in him which "is worth while . . ."
and which must be taken into consideration. In a certain way, he confronts an order of things which oppresses him with the insistence on a kind of right not to be oppressed beyond the limit that he can tolerate.
In every act of rebellion, the rebel simultaneously experiences a feeling of revulsion at the infringement of his rights and a complete and spontaneous loyalty to certain aspects of himself. Thus he implicitly brings into play a standard of values so far from being gratuitous that he is prepared to support it no matter what the risks. Up to this point he has at least remained silent and has abandoned himself to the form of despair in which a condition is accepted even though it is considered unjust. To remain silent is to give the impression that one has no opinions, that one wants nothing, and in certain cases it really amounts to wanting nothing. Despair, like the absurd, has opinions and desires about everything in general and nothing in particular. Silence expresses this attitude very well. But from the moment that the rebel finds his voice—even though he says nothing but "no"—he begins to desire and to judge. The rebel, in the etymological sense, does a complete turnabout. He acted under the lash of his master's whip. Suddenly he turns and faces him. He opposes what is preferable to what is not. Not every value entails rebellion, but every act of rebellion tacitly invokes a value.
Albert Camus, The Rebel (1956)
2014.pdf
97.1 KB
Camus, Albert. (1956) The Rebel. New York: Vintage Books.
Part One: The Rebel
What is a rebel?
Part One: The Rebel
What is a rebel?
https://youtu.be/98NGdUBSjzw
WORLD PREMIERE ON THE ROBIN MONOTTI CHANNEL t.me/robinmg
"This is for all you guys, you’ve kept me in hope this far, I hope this will keep you keeping on."
Slowhand.
Slowhand and Van released a new single today entitled “The Rebels” from Bushbranch Surfdog Records. The song was written by Van Morrison and this version is performed by Eric Clapton and Van Morrison, and produced by Simon Climie. Profits from both the single and the limited edition artwork will go to the Van Morrison Rhythm & Blues Foundation assisting musicians encountering financial hardship. The single can be heard HERE, a 12” vinyl can be pre-ordered HERE and artwork will be on-sale soon at www.surfdog.com.
WORLD PREMIERE ON THE ROBIN MONOTTI CHANNEL t.me/robinmg
"This is for all you guys, you’ve kept me in hope this far, I hope this will keep you keeping on."
Slowhand.
Slowhand and Van released a new single today entitled “The Rebels” from Bushbranch Surfdog Records. The song was written by Van Morrison and this version is performed by Eric Clapton and Van Morrison, and produced by Simon Climie. Profits from both the single and the limited edition artwork will go to the Van Morrison Rhythm & Blues Foundation assisting musicians encountering financial hardship. The single can be heard HERE, a 12” vinyl can be pre-ordered HERE and artwork will be on-sale soon at www.surfdog.com.
YouTube
Slowhand & Van - The Rebels (Eric Clapton, Van Morrison)
Under the name ’Slowhand & Van’, musicians Eric Clapton and Van Morrison release their new single “The Rebels” from Bushbranch / Surfdog Records. Written by Van Morrison and performed by Clapton and Morrison.
Proceeds from the single will go to The Van…
Proceeds from the single will go to The Van…
"This is for all you guys, you’ve kept me in hope this far, I hope this will keep you keeping on."
Slowhand.
https://youtu.be/98NGdUBSjzw
The cover art was sketched by Eric’s daughter Julie Clapton and will also be available as a limited run of fine art Giclée archival prints signed by Julie. Profits from both the single and the limited edition artwork will go to the Van Morrison Rhythm & Blues Foundation assisting musicians encountering financial hardship. Artwork will be on-sale soon at www.surfdog.com.
WORLD PREMIERE ON THE ROBIN MONOTTI CHANNEL t.me/robinmg
Slowhand.
https://youtu.be/98NGdUBSjzw
The cover art was sketched by Eric’s daughter Julie Clapton and will also be available as a limited run of fine art Giclée archival prints signed by Julie. Profits from both the single and the limited edition artwork will go to the Van Morrison Rhythm & Blues Foundation assisting musicians encountering financial hardship. Artwork will be on-sale soon at www.surfdog.com.
WORLD PREMIERE ON THE ROBIN MONOTTI CHANNEL t.me/robinmg