This media is not supported in your browser
VIEW IN TELEGRAM
👇 IT'S FINALLY HERE! 🔥
"How to create your very own 'SCARIANT' - in 10 easy steps"
A T4Recovery guide to creating and maintaining fear with a never-ending stream of 'new variants.'
"How to create your very own 'SCARIANT' - in 10 easy steps"
A T4Recovery guide to creating and maintaining fear with a never-ending stream of 'new variants.'
Thread by @T4Recovery on Thread Reader App – Thread Reader App
https://threadreaderapp.com/thread/1403042440223862786.html
https://threadreaderapp.com/thread/1403042440223862786.html
Threadreaderapp
Thread by @T4Recovery on Thread Reader App
Thread by @T4Recovery: 👇 IT'S FINALLY HERE! 🔥 "How to create your very own 'SCARIANT' - in 10 easy steps" A @T4Recovery guide to creating and maintaining fear with a never-ending stream of 'new variants.' Watch the...…
This media is not supported in your browser
VIEW IN TELEGRAM
'SCARIANT' from MP Games!
Forwarded from Lawyers of Light
If you want to talk about your experiences with #midazolam use on your family members you can join the group below. We have changed the policy in so far as we will only share what you say anywhere else, if you give your permission.
https://t.me/WeNeedToTalkAboutMidazolam
https://t.me/WeNeedToTalkAboutMidazolam
ANYONE LISTENING TO THIS AND IT SOUNDS NORMAL HAS LOST THEIR MIND
https://www.bitchute.com/video/LU0z5J4FYMeB/
https://www.bitchute.com/video/LU0z5J4FYMeB/
BitChute
Anyone listening to this and it sounds normal has lost their mind
"They are in the school, they're there now. You have them in one place. They're a captive audience so to speak. You have a nurse in the school or you have a local govt that can send a vaccination team TO THE SCHOOL, we're closing vaccination sites, …
ARE GOVERNMENTS PREPARING & IMPLEMENTING AN AMBUSH ON OUR CHILDREN?
BRITISH MEDICAL JOURNAL
28 SEPTEMBER 2020
" In a BBC report last week which seemed so fanciful I was inclined to ignore it products were injudiciously codenamed by government agencies as “Triumph” and “Ambush” .
The report by Michele Paduano, however, is still there and states [2]:
“Mass vaccination sites and mobile facilities are being commissioned as part of as a "fairly massive exercise"...According to the document, the two vaccines are called Ambush and Triumph...Ambush needs to be stored at -70C (-94F) and kept in hospitals due to regulations set down by the Medicines Health Regulatory Authority.“
The “Triumph“ vaccine is believed to be the Oxford Astra Zeneca product which has to be administered twice within 28 days. The refrigeration requirements for the “Ambush” vaccine fit the the profile of both the Moderna and Pfizer products [3]. A similar but less detailed report has now appeared in the Sun newspaper [4].
All three vaccines have been criticised for their effectiveness by Peter Doshi and Eric Topol in the New York Times [5] and by William Haseltine in the Washington Post [6]. Both the Oxford and Moderna vaccines are known to have unpleasant side-effects [7]. The Oxford vaccine when I last heard was still under investigation by the FDA [8].
Against which background one can only echo once again the editor’s call a few weeks ago for “Less haste, more safety”.
https://www.bmj.com/content/370/bmj.m3757/rr-3
BRITISH MEDICAL JOURNAL
28 SEPTEMBER 2020
" In a BBC report last week which seemed so fanciful I was inclined to ignore it products were injudiciously codenamed by government agencies as “Triumph” and “Ambush” .
The report by Michele Paduano, however, is still there and states [2]:
“Mass vaccination sites and mobile facilities are being commissioned as part of as a "fairly massive exercise"...According to the document, the two vaccines are called Ambush and Triumph...Ambush needs to be stored at -70C (-94F) and kept in hospitals due to regulations set down by the Medicines Health Regulatory Authority.“
The “Triumph“ vaccine is believed to be the Oxford Astra Zeneca product which has to be administered twice within 28 days. The refrigeration requirements for the “Ambush” vaccine fit the the profile of both the Moderna and Pfizer products [3]. A similar but less detailed report has now appeared in the Sun newspaper [4].
All three vaccines have been criticised for their effectiveness by Peter Doshi and Eric Topol in the New York Times [5] and by William Haseltine in the Washington Post [6]. Both the Oxford and Moderna vaccines are known to have unpleasant side-effects [7]. The Oxford vaccine when I last heard was still under investigation by the FDA [8].
Against which background one can only echo once again the editor’s call a few weeks ago for “Less haste, more safety”.
https://www.bmj.com/content/370/bmj.m3757/rr-3
Forwarded from Andre
Sure. The vaccines didnt came because of the virus. The virus came to implement the vaccines
What is a rebel? A man who says no, but whose refusal does not imply a renunciation.
He is also a man who says yes, from the moment he makes his first gesture of rebellion.
A slave who has taken orders all his life suddenly decides that he cannot obey some new command. What does he mean by saying "no"?
He means, for example, that "this has been going on too long," "up to this point yes, beyond it no," "you are going too far," or, again, "there is a limit beyond which you shall not go." In other words, his no affirms the existence of a borderline. The same concept is to be found in the rebel's feeling that the other person "is exaggerating," that he is exerting his authority beyond a limit where he begins to infringe on the rights of others.
Thus the movement of rebellion is founded simultaneously on the categorical rejection of an intrusion that is considered intolerable and on the confused conviction of an absolute right which, in the rebel's mind, is more precisely the impression that he "has the right to . . ." Rebellion cannot exist without the feeling that, somewhere and somehow, one is right. It is in this way that the rebel slave says yes and no simultaneously. He affirms that there are limits and also that he suspects—and wishes to preserve—the existence of certain things on this side of the borderline. He demonstrates, with obstinacy, that there is something in him which "is worth while . . ."
and which must be taken into consideration. In a certain way, he confronts an order of things which oppresses him with the insistence on a kind of right not to be oppressed beyond the limit that he can tolerate.
In every act of rebellion, the rebel simultaneously experiences a feeling of revulsion at the infringement of his rights and a complete and spontaneous loyalty to certain aspects of himself. Thus he implicitly brings into play a standard of values so far from being gratuitous that he is prepared to support it no matter what the risks. Up to this point he has at least remained silent and has abandoned himself to the form of despair in which a condition is accepted even though it is considered unjust. To remain silent is to give the impression that one has no opinions, that one wants nothing, and in certain cases it really amounts to wanting nothing. Despair, like the absurd, has opinions and desires about everything in general and nothing in particular. Silence expresses this attitude very well. But from the moment that the rebel finds his voice—even though he says nothing but "no"—he begins to desire and to judge. The rebel, in the etymological sense, does a complete turnabout. He acted under the lash of his master's whip. Suddenly he turns and faces him. He opposes what is preferable to what is not. Not every value entails rebellion, but every act of rebellion tacitly invokes a value.
Albert Camus, The Rebel (1956)
He is also a man who says yes, from the moment he makes his first gesture of rebellion.
A slave who has taken orders all his life suddenly decides that he cannot obey some new command. What does he mean by saying "no"?
He means, for example, that "this has been going on too long," "up to this point yes, beyond it no," "you are going too far," or, again, "there is a limit beyond which you shall not go." In other words, his no affirms the existence of a borderline. The same concept is to be found in the rebel's feeling that the other person "is exaggerating," that he is exerting his authority beyond a limit where he begins to infringe on the rights of others.
Thus the movement of rebellion is founded simultaneously on the categorical rejection of an intrusion that is considered intolerable and on the confused conviction of an absolute right which, in the rebel's mind, is more precisely the impression that he "has the right to . . ." Rebellion cannot exist without the feeling that, somewhere and somehow, one is right. It is in this way that the rebel slave says yes and no simultaneously. He affirms that there are limits and also that he suspects—and wishes to preserve—the existence of certain things on this side of the borderline. He demonstrates, with obstinacy, that there is something in him which "is worth while . . ."
and which must be taken into consideration. In a certain way, he confronts an order of things which oppresses him with the insistence on a kind of right not to be oppressed beyond the limit that he can tolerate.
In every act of rebellion, the rebel simultaneously experiences a feeling of revulsion at the infringement of his rights and a complete and spontaneous loyalty to certain aspects of himself. Thus he implicitly brings into play a standard of values so far from being gratuitous that he is prepared to support it no matter what the risks. Up to this point he has at least remained silent and has abandoned himself to the form of despair in which a condition is accepted even though it is considered unjust. To remain silent is to give the impression that one has no opinions, that one wants nothing, and in certain cases it really amounts to wanting nothing. Despair, like the absurd, has opinions and desires about everything in general and nothing in particular. Silence expresses this attitude very well. But from the moment that the rebel finds his voice—even though he says nothing but "no"—he begins to desire and to judge. The rebel, in the etymological sense, does a complete turnabout. He acted under the lash of his master's whip. Suddenly he turns and faces him. He opposes what is preferable to what is not. Not every value entails rebellion, but every act of rebellion tacitly invokes a value.
Albert Camus, The Rebel (1956)
2014.pdf
97.1 KB
Camus, Albert. (1956) The Rebel. New York: Vintage Books.
Part One: The Rebel
What is a rebel?
Part One: The Rebel
What is a rebel?
https://youtu.be/98NGdUBSjzw
WORLD PREMIERE ON THE ROBIN MONOTTI CHANNEL t.me/robinmg
"This is for all you guys, you’ve kept me in hope this far, I hope this will keep you keeping on."
Slowhand.
Slowhand and Van released a new single today entitled “The Rebels” from Bushbranch Surfdog Records. The song was written by Van Morrison and this version is performed by Eric Clapton and Van Morrison, and produced by Simon Climie. Profits from both the single and the limited edition artwork will go to the Van Morrison Rhythm & Blues Foundation assisting musicians encountering financial hardship. The single can be heard HERE, a 12” vinyl can be pre-ordered HERE and artwork will be on-sale soon at www.surfdog.com.
WORLD PREMIERE ON THE ROBIN MONOTTI CHANNEL t.me/robinmg
"This is for all you guys, you’ve kept me in hope this far, I hope this will keep you keeping on."
Slowhand.
Slowhand and Van released a new single today entitled “The Rebels” from Bushbranch Surfdog Records. The song was written by Van Morrison and this version is performed by Eric Clapton and Van Morrison, and produced by Simon Climie. Profits from both the single and the limited edition artwork will go to the Van Morrison Rhythm & Blues Foundation assisting musicians encountering financial hardship. The single can be heard HERE, a 12” vinyl can be pre-ordered HERE and artwork will be on-sale soon at www.surfdog.com.
YouTube
Slowhand & Van - The Rebels (Eric Clapton, Van Morrison)
Under the name ’Slowhand & Van’, musicians Eric Clapton and Van Morrison release their new single “The Rebels” from Bushbranch / Surfdog Records. Written by Van Morrison and performed by Clapton and Morrison.
Proceeds from the single will go to The Van…
Proceeds from the single will go to The Van…
"This is for all you guys, you’ve kept me in hope this far, I hope this will keep you keeping on."
Slowhand.
https://youtu.be/98NGdUBSjzw
The cover art was sketched by Eric’s daughter Julie Clapton and will also be available as a limited run of fine art Giclée archival prints signed by Julie. Profits from both the single and the limited edition artwork will go to the Van Morrison Rhythm & Blues Foundation assisting musicians encountering financial hardship. Artwork will be on-sale soon at www.surfdog.com.
WORLD PREMIERE ON THE ROBIN MONOTTI CHANNEL t.me/robinmg
Slowhand.
https://youtu.be/98NGdUBSjzw
The cover art was sketched by Eric’s daughter Julie Clapton and will also be available as a limited run of fine art Giclée archival prints signed by Julie. Profits from both the single and the limited edition artwork will go to the Van Morrison Rhythm & Blues Foundation assisting musicians encountering financial hardship. Artwork will be on-sale soon at www.surfdog.com.
WORLD PREMIERE ON THE ROBIN MONOTTI CHANNEL t.me/robinmg
Media is too big
VIEW IN TELEGRAM
EURO "2020" Opening Ceremony
My brother filmed this inside the Stadio Olimpico in Rome at the opening ceremony of Euro "2020" football championships, where Andrea Bocelli sang "Nessun Dorma". Pity the stadium is not at full capacity as it should be. Ridiculous decision to restrict the attendance numbers, of course nothing at all to do with health and all to do with the fear psyop.
My brother filmed this inside the Stadio Olimpico in Rome at the opening ceremony of Euro "2020" football championships, where Andrea Bocelli sang "Nessun Dorma". Pity the stadium is not at full capacity as it should be. Ridiculous decision to restrict the attendance numbers, of course nothing at all to do with health and all to do with the fear psyop.
Forwarded from Mike Yeadon
Two big pharma CEOs, the same lie, that “booster shots” will be needed to cope with variants.
Not true.
No variant has shown sufficient antigenic drift to even have a theoretical chance of immune escape.
I’ll say it: despite the high rate of mutations, SARS-COV-2 is extremely stable.
The apparent paradox resolved when you consider that this is a very large virus & so numerous single point changes add up to virtually nothing by way of change.
See if you can spot similar lies from the CEOs of AZ & Moderna. Why not collect the set?
You’ll be needing their pictures for the upcoming Nuremberg 2.0 trials.
Not true.
No variant has shown sufficient antigenic drift to even have a theoretical chance of immune escape.
I’ll say it: despite the high rate of mutations, SARS-COV-2 is extremely stable.
The apparent paradox resolved when you consider that this is a very large virus & so numerous single point changes add up to virtually nothing by way of change.
See if you can spot similar lies from the CEOs of AZ & Moderna. Why not collect the set?
You’ll be needing their pictures for the upcoming Nuremberg 2.0 trials.
Forwarded from Mike Yeadon
It’s such a shame that science has become so corrupted that I rarely automatically believe what I read, even in ‘premier’ journals, for the incentives to cheat are at their greatest in such publications.
This discussion paper talks in such hallowed terms about how the covid19 pandemic demonstrates many of things they’d been warning about.
Right: they’d been warning about a global fraud, and then one happened?
I can’t see the join.
This discussion paper talks in such hallowed terms about how the covid19 pandemic demonstrates many of things they’d been warning about.
Right: they’d been warning about a global fraud, and then one happened?
I can’t see the join.