Forwarded from 小破不入渠🌏
袁莉为 NYT 撰文，写到外媒在中国的生存环境
本文英文标题为：After the Floods, China Found a Target for Its Pain: Foreign Media
> 据驻华外国记者协会说，自上周日以来，在中国为BBC、《洛杉矶时报》和其他机构做报道的员工已收到了死亡威胁、恐吓短信和电话。半岛电视台的工作人员在郑州一个地铁站外进行报道时被跟踪并被拍照；美联社记者在一个公共场所拍摄时受到阻拦，还有人报警。据驻华外国记者协会说，为法新社工作的记者在报道一条被淹没的公路隧道时被几十个男子围住，充满敌意的民众强迫记者删除了拍下的视频。
https://cn.nytimes.com/china/20210729/china-floods-foreign-media
本文英文标题为：After the Floods, China Found a Target for Its Pain: Foreign Media
> 据驻华外国记者协会说，自上周日以来，在中国为BBC、《洛杉矶时报》和其他机构做报道的员工已收到了死亡威胁、恐吓短信和电话。半岛电视台的工作人员在郑州一个地铁站外进行报道时被跟踪并被拍照；美联社记者在一个公共场所拍摄时受到阻拦，还有人报警。据驻华外国记者协会说，为法新社工作的记者在报道一条被淹没的公路隧道时被几十个男子围住，充满敌意的民众强迫记者删除了拍下的视频。
https://cn.nytimes.com/china/20210729/china-floods-foreign-media
NY Times
外媒报道郑州洪灾为何遭中国民众攻击
多名西方记者在洪灾现场和网络上遭遇攻击，中国官方机构甚至公开鼓励这种行为。公众对外媒的敌意是习近平治下对外国影响发动文化战和反智主义运动的必然结果。
最近很喜欢的一篇文章。这篇文章梳理了朋友这词的由来与发展变化，讲到了现在大家面临的事情
Many of us have learned to post content as though we were hosting one of the old personality shows of the 1950s, calculated to look like we’re providing one end of a friendly interaction. We look into the cameras, we talk to our audience directly, we make the gestures of friendship, so that the people observing us are cued into thinking we are responding to them and them alone. But we are responding to something else, a fantasy of how we should be or the image of ourselves reflected back to us on the screen. Parasocial media in itself is not the problem but the expression of deeper hunger for belonging amid structures that can’t sustain it, scrolling through tempting, evanescent, one-sided interactions that engage our attention while rarely delivering on the promise that we can be seen and known, as individuals, as friends.
https://reallifemag.com/why-cant-we-be-friends/
Many of us have learned to post content as though we were hosting one of the old personality shows of the 1950s, calculated to look like we’re providing one end of a friendly interaction. We look into the cameras, we talk to our audience directly, we make the gestures of friendship, so that the people observing us are cued into thinking we are responding to them and them alone. But we are responding to something else, a fantasy of how we should be or the image of ourselves reflected back to us on the screen. Parasocial media in itself is not the problem but the expression of deeper hunger for belonging amid structures that can’t sustain it, scrolling through tempting, evanescent, one-sided interactions that engage our attention while rarely delivering on the promise that we can be seen and known, as individuals, as friends.
https://reallifemag.com/why-cant-we-be-friends/
Real Life
Why Can’t We Be Friends — Real Life
Podcasts and other forms of “parasocial” media reframe friendship as monetized self-care
中国古代服饰研究（沈从文）.pdf
20.6 MB
这两天刚看完《沈从文的后半生》，然后找来了《中国古代服饰研究》，这本书是沈从文晚年的主要研究了，感兴趣的可以翻翻
当代博物馆已经从“沉思的空间”变成了“事情发生的地方”——一个活动场所，而不是档案馆。在放弃了将权威背景分配给它所展示的内容的角色之后，它仅仅成为体验经济中的另一个竞争者。艺术的伪装再次被机构和观众完全抛弃。
Quora的付费计划来了
Quora+ is our subscription program where you can get access to the best content from Quora+ creators. When you subscribe to Quora+, revenue from your membership is shared with the Quora writers you enjoy. This way, creators get paid for their work and you can take pride in knowing you’re directly supporting creators who matter to you. While the majority of Quora content will remain free for everyone, Quora+ subscribers will get full access to millions of answers and posts from our participating creators and Spaces.
Quora+ is our subscription program where you can get access to the best content from Quora+ creators. When you subscribe to Quora+, revenue from your membership is shared with the Quora writers you enjoy. This way, creators get paid for their work and you can take pride in knowing you’re directly supporting creators who matter to you. While the majority of Quora content will remain free for everyone, Quora+ subscribers will get full access to millions of answers and posts from our participating creators and Spaces.
建议大家了解下OSINT，这样你的搜索能力会提高1倍
https://github.com/ffffffff0x/Digital-Privacy#%E7%A4%BE%E4%BA%A4%E7%BD%91%E7%BB%9C
https://github.com/ffffffff0x/Digital-Privacy#%E7%A4%BE%E4%BA%A4%E7%BD%91%E7%BB%9C
GitHub
GitHub - ffffffff0x/Digital-Privacy: Information Protection & OSINT resources | 一个关于数字隐私搜集、保护、清理集一体的方案,外加开源信息收集(OSINT)对抗
Information Protection & OSINT resources | 一个关于数字隐私搜集、保护、清理集一体的方案,外加开源信息收集(OSINT)对抗 - ffffffff0x/Digital-Privacy
The Playboy Interview Moguls by Bezos, Jeff (z-lib.org).epub
391.6 KB
分享一本采访集。这个采访集包括乔布斯、贝佐斯、比尔盖茨的早年采访，有兴趣的可以翻翻
这篇内容，让我明白了几件事
1.国外可以通过stripe atlas，画上500美金就可以开公司。
2.substack的用户增长非常依赖于推特。比我想象中更依赖
3.substack不仅依赖于创作者经济，害依赖于媒体行业的不景气，有批媒体人想自己做，所以选择了substack
国内如果有人想做的话，如果用户的付费习惯能解决，也可以找媒体来试试，最近接触了媒体的朋友，也表示很难受
https://www.platformer.news/p/what-i-learned-from-a-year-on-substack
1.国外可以通过stripe atlas，画上500美金就可以开公司。
2.substack的用户增长非常依赖于推特。比我想象中更依赖
3.substack不仅依赖于创作者经济，害依赖于媒体行业的不景气，有批媒体人想自己做，所以选择了substack
国内如果有人想做的话，如果用户的付费习惯能解决，也可以找媒体来试试，最近接触了媒体的朋友，也表示很难受
https://www.platformer.news/p/what-i-learned-from-a-year-on-substack
Platformer
What I learned from a year on Substack
Your questions about Platformer, answered