https://infodemic.blog
简单四步，分辨网络虚假信息。
SIFT:
Stop. 停下来
Investigate the source. 调查来源
Find better coverage. 寻找更好的报道
Trace claims, quotes, and media to the original context. 追溯原始语境
简单四步，分辨网络虚假信息。
SIFT:
Stop. 停下来
Investigate the source. 调查来源
Find better coverage. 寻找更好的报道
Trace claims, quotes, and media to the original context. 追溯原始语境
Sifting Through the Pandemic
Information hygiene for the Covid-19 infodemic
以母系社会为透镜，翻看父权话语系列文章。以精神分析的工具解析母系与父权社会的女性精神结构。目前连载到第二篇。https://mp.weixin.qq.com/s/ZPpxunF52iny1rCj5QUlVw
Weixin Official Accounts Platform
听一听，停一停（二）|母系社会的母亲和父权社会的母亲有什么分别？
以母系社会为透镜，翻看父权话语系列文章（二）
我再度深切地意识到，一个工人一旦在工会里谋得了职位，或是进入了工会政治圈，他便立刻跻身中产阶级行列，不管他自己愿不愿意。如此来说，和资产阶级战斗的结果就是自己也就变成了资产阶级。事实上，一个人的生活方式和意识形态不可能不同自己的收入水平相挂钩。
——《奥威尔日记-通往威根码头之路》
——《奥威尔日记-通往威根码头之路》
MW_YY_11182020.pdf
4.1 MB
混水做空YY的报告《YY: You Can’t Make This Stuff Up. Well…Actually You Can》
报告指出，YY所报告的合并收入中的84%涉嫌造假，而造假主要手段是：1. 大约有一半的打赏都来自打赏机器人；2. 主播收到的打赏很多也需要通过另一个帐号重新流回平台。3. 频道/公会参与造假，YY上的五大公会的收入总和只占YY平台报告的收入的15%。
报告指出，YY所报告的合并收入中的84%涉嫌造假，而造假主要手段是：1. 大约有一半的打赏都来自打赏机器人；2. 主播收到的打赏很多也需要通过另一个帐号重新流回平台。3. 频道/公会参与造假，YY上的五大公会的收入总和只占YY平台报告的收入的15%。
In The Flux
我再度深切地意识到，一个工人一旦在工会里谋得了职位，或是进入了工会政治圈，他便立刻跻身中产阶级行列，不管他自己愿不愿意。如此来说，和资产阶级战斗的结果就是自己也就变成了资产阶级。事实上，一个人的生活方式和意识形态不可能不同自己的收入水平相挂钩。 ——《奥威尔日记-通往威根码头之路》
然而，一个人是否符合伦理学意义上的高尚，和他是1%还是99%无关，和他是小粉红还是民运派也无关，这实在太难了。很多时候，我们都只是为利益而战，但我们总喜欢把它们包装为价值之战。「一个人的生活方式和意识形态不可能不同自己的收入水平相挂钩」是因为收入变了，所要追求的利益也自然就变了。
Forwarded from y 🆔i 🍊
https://hiddenbrain.org/podcast/moral-combat/ 想推薦這集podcast！
Hidden Brain Media
Moral Combat - Hidden Brain Media
Most of us have a clear sense of right and wrong. But what happens when we view politics through a moral lens? This week, we talk with psychologist Linda Skitka about how moral certainty can produce moral blinders — and endanger democracy. Transcript The…
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台北双年展的论坛直播页面的版式是目前看到最棒的：有背景图介绍基础信息，有名牌，有导播切镜头，体验很不错。
https://www.tfam.museum/File/files/03event/201121_2020TB/201121_2020TB-Symposium.PDF?ddlLang=en-us
https://www.tfam.museum/File/files/03event/201121_2020TB/201121_2020TB-Symposium.PDF?ddlLang=en-us
https://www.fotomuseum.ch/en/explore/situations/157312
Seed, Image, Ground works with selected promotional images and videos related to seed bombing – a technique used in forestry, agriculture and environmental restoration where biodegradable containers filled with seeds and soil nutrients are dropped from flying aircrafts to the ground. Originally conceived by an RAF pilot after WW2, this technique has been fostered during the last decade, closely linked to the increased deployment of robotic aerial vehicles in environmental monitoring. The commissioned video essay by the media theorist Jussi Parikka and the artist and researcher Abelardo Gil-Fournier investigates the link between seeds, aerial operations, photographic images and the transformation of earth surfaces into data. It demonstrates how the history of botanic knowledge and visual surveys of green surfaces is a history of images, and as such, a history of circulation, speed and motorised aircraft. Seed, Image, Ground addresses the convergence of the military complex and the cultivation of our environment: From metaphors of war to guerrilla farming, from agricultural techniques and reforesting to the automation of airspace and environmental management, the observation of growth of vegetal surfaces unveils connections to parallel histories of the logistics of military perception.
Seed, Image, Ground works with selected promotional images and videos related to seed bombing – a technique used in forestry, agriculture and environmental restoration where biodegradable containers filled with seeds and soil nutrients are dropped from flying aircrafts to the ground. Originally conceived by an RAF pilot after WW2, this technique has been fostered during the last decade, closely linked to the increased deployment of robotic aerial vehicles in environmental monitoring. The commissioned video essay by the media theorist Jussi Parikka and the artist and researcher Abelardo Gil-Fournier investigates the link between seeds, aerial operations, photographic images and the transformation of earth surfaces into data. It demonstrates how the history of botanic knowledge and visual surveys of green surfaces is a history of images, and as such, a history of circulation, speed and motorised aircraft. Seed, Image, Ground addresses the convergence of the military complex and the cultivation of our environment: From metaphors of war to guerrilla farming, from agricultural techniques and reforesting to the automation of airspace and environmental management, the observation of growth of vegetal surfaces unveils connections to parallel histories of the logistics of military perception.
https://theinitium.com/article/20201124-international-malaysia-batek-indigenous-people-deaths-1/
原住民發展局在 2010 年蓋了這排房屋，在房子裏都裝上了電風扇、電燈和開關——只是，政府並沒有提供任何電力設施供使用；而且，在蓋了浴室、廁所後，卻沒提供穩定的供水設施。
「政府說要我們住進屋子裏，說這樣比較方便，也叫我們不要想念以前的生活，但現在的生活沒有比較好。」
原住民發展局在 2010 年蓋了這排房屋，在房子裏都裝上了電風扇、電燈和開關——只是，政府並沒有提供任何電力設施供使用；而且，在蓋了浴室、廁所後，卻沒提供穩定的供水設施。
「政府說要我們住進屋子裏，說這樣比較方便，也叫我們不要想念以前的生活，但現在的生活沒有比較好。」
端傳媒 Initium Media
巴迪族集體死亡事件背後，被「現代生活」吞噬的家園｜端傳媒 Initium Media
森林資源為馬來西亞帶來巨額利潤，但依靠森林過活的原住民被遠遠拋下。若不是這一次的集體死亡事件，人們大約已經忘了巴迪族人。
https://webenact.rhizome.org/either-we-inspire-or-we-expire/20151102190237/http://archive.rhizome.org:1996/
Either we inspire or we expire.
Either we inspire or we expire.